American History Through Literature - 1820-1870 by Janet;Sattelmeyer, Robert Gabler-Hover

By Janet;Sattelmeyer, Robert Gabler-Hover

This A-Z, cross-referenced and illustrated name offers a distinct review of the serious interval that spans the early nationwide period during the Civil conflict, and which witnessed the beginning of a really American literature. The set gains greater than 250 survey entries. matters comprise: political issues (Manifest future, Underground Railroad); rules in context (Transcendentalism); values (Sentimentalism, Mourning); genres (Dime Novels, Oratory); well known leisure (Theatre); publishing (Harper's Monthly, Editors); works of literature and nonfiction ("Hiawatha," "Life within the Iron Mills"); and masses extra. The research of quite a lot of classics in American literature, considered as cultural and historic files, cultivates severe talents in examining texts from a variety of views, together with aesthetic, biographical, social, historic, racial and gendered. in addition to its better half identify at the interval protecting 1870 to 1920, this set presents a complete review of a key century in American old and literary reports.

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S. Constitution: “The [Spanish] nation at large could boast as great a degree of constitutional freedom as any other, at that time, in Christendom.

Parkman’s love of outdoor activity made the health problems he began to suffer in 1843 all the more of a constraint on his way of life. Suffering from H I S T O R Y T H R O U G H L I T E R A T U R E , 1 8 2 0 – 1 8 7 0 HISTORY Francis Parkman. © BETTMANN/CORBIS headaches, insomnia, indigestion, arthritis, and partial blindness, Parkman often had to lie down in a darkened room without moving for days at a time. Despite his illness, Parkman managed to continue his work on history by having others read his sources aloud to him, by dictating his narrative to one of his assistants, and by setting up a wire mechanism to guide his pencil, which enabled him to do some writing in the dark.

Their swaggering presence and antiaristocratic bravado offered radical new possibilities for an alternative masculine ideal because, as a grassroots figure of the transforming industrial society, the b’hoy was an active participant in the bootstrap, individualist pragmatism toward which society was leaning. Like George Foster in New York By Gas-light (1850), Fanny Fern in Ruth Hall (1854), and Walt Whitman in “Song of Myself” (1855), Southworth rescues the violent Bowery b’hoy image and rehabilitates it in the compassionate Capitola.

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